Monday, June 21, 2010

Centre Pompidou: Modern Art Collections

Les Promesses du Passe:

I don't think people give Modern Art enough credit, myself included. I think it's probably because the art itself requires a tremendous amount of understanding and reflection. The same holds true for other forms of art. The relationship between the artist and the movement at the time are completely intertwined. Because Modern Art can have so many topics or faces, it is much easier to ignore the artists' thought processes, than to take a minute and recognize the artist has an opinion, and a strong one at that.

Every movement of art has at least one thing in common...they were dictated by present day events, or maybe events that just recently took place. If an entire country faces new political structures, or harsh economic conditions, of course the ideas of teh people will change. The politically active will strike or speak out, the writers will whip out a pen or open their MacBooks...and the artuists will-- create, whatever they want. They all sit back & reflect, decide their opinions and choose a side, yay-or-nay. Then, they get to work.

Some choose to capture the moment and let the viewer decide for themselves, while others take the more active role and put their entire sources of energy into a piece that a view might not even like. But the point is not for everyone to like a novel, an article or a black and white photograph, the point is to express and to express true to one's own thoughts.

And while I think speaking to one another is pertinent to understanding another human being, languages will never be Universal", but artwork certainly can be.


Tous Ensemble, 1995

"Painting is not a metaphor for internal life. That is something I don't want from painting. In a way, it is rather a commentary on the world that I see. I would like that my paintings offer someone outside of myself the feeling of life's possibilities, that it awakens the energy to face, to confront things. There are all these roads, all these possibilities available. Except that each painting is nevertheless closed, isolated." --Shirley Jaffe


#172- Gallieni, Marie-Noelle Decoret, 2000

Black & White Photography.

Simplistic in nature. But it calls for a deeper thought process, one that makes you fill in the blanks to see the whole image. It may lack in color detail, but it calls more attention to the story beneath the image.


My Flower Bed, 1962

"Le seul moyen d'echapper a ces choses-la, etait tout m'interrogent sur ce qu'elles pouvaient etre, de les representer visuellement" --Yayoi Kusama

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